Publications

Poetic Dimensions
2005, 12-Panel full color accordion folding publication. An exhibition traveling to three venues. Text by Gabriel Laderman and 26 color reproductions throughout.

Painting in the Park
2008, 12-Panel full color accordion folding publication with 16 color reproductions. An exhibition help at Lori Bookstein Fine Art, July 1 - Aug. 1, 2008. 

​​​​​My Studio
2019, 12-Panel full color accordion folding publication.​​
24 color reproductions. An exhibition traveling to three venues. Essay by Imogen Sara Smith.

Small Takes
2008, 12-Panel full color accordion folding publication. Text by Bryce Brown and 26 color reproductions throughout.

In/Out
2009, 12-Panel full color accordion folding publication.
An exhibition traveling to two venues. Text by Hearne Pardee and 25 color reproductions throughout.

Still, Blue
2013, 12-Panel full color accordion folding publication.
27 color reproductions. An exhibition traveling to four venues. Essay by Imogen Sara Smith

Beyond the Window
2014, 12-Panel full color accordion folding publication.
30 color reproductions. An exhibition traveling to four venues. Essay by John Goodrich.

Drawing the Curtain
2018, 12-Panel full color accordion folding publication.
25 color reproductions. Essays by Bevin Engman and John Lee.

​​​​​The Unstilllife
2016, 12-Panel full color accordion folding publication.
33 color reproductions. An exhibition traveling to four venues. Essay by Trevor Winkfield

Flowers as Metaphor
2016, 12-Panel full color accordion folding publication.
31 color reproductions. An exhibition traveling to three venues. Essays by Gabriel Laderman, Richard Castellana, Deborah Kirklin, and John Lee.

Fold Outs

​​​​​​​​​​​​​My Studio, 2019, 12-Panel full color accordion folding publication.​​
24 color reproductions. An exhibition traveling to three venues.
Essay by Imogen Sara Smith.

Drawing the Curtain, 2018, 12-Panel full color accordion folding publication.
25 color reproductions. Essays by Bevin Engman and John Lee.

The Unstilllife, 2016, 12-Panel full color accordion folding publication.
33 color reproductions. An exhibition traveling to four venues. Essay by Trevor Winkfield

Flowers as Metaphor, 2016, 12-Panel full color accordion folding publication.
31 color reproductions. An exhibition traveling to three venues. Essays by Gabriel Laderman, Richard Castellana, Deborah Kirklin, and John Lee.

Beyond the Window, 2014, 12-Panel full color accordion folding publication.
30 color reproductions. An exhibition traveling to four venues. Essay by John Goodrich.

Still, Blue, 2013, 12-Panel full color accordion folding publication.
27 color reproductions. An exhibition traveling to four venues. Essay by Imogen Sara Smith

In/Out, 2009, 12-Panel full color accordion folding publication.
An exhibition traveling to two venues. Text by Hearne Pardee and 25 color reproductions throughout.

Small Takes, 2008, 12-Panel full color accordion folding publication. Text by Bryce Brown and 26 color reproductions throughout.

Painting in the Park
​2008, 12-Panel full color accordion folding publication with 16 color reproductions. An exhibition help at Lori Bookstein Fine Art, July 1 - Aug. 1, 2008. 

Poetic Dimensions, 2005, 12-Panel full color accordion folding publication. An exhibition traveling to three venues. Text by Gabriel Laderman and 26 color reproductions throughout.
​​Catalogues

For the Love of Chardin, 2022, 36 pages. 34 color reproductions. Essay by David Summers. Accopanies an exhibition at the Miller Art Museum, Sturgeon Bay, WI, 28 May - 11 July, 2022 and First Street Gallery, New York, NY 4-29 October, 2022.

Composing in the Key of S, 2021, 32 pages. 28 color reproductions.
​Essay by John Goodrich. Virtual Catalog here

Reflections, 2012, 36 pages. 31 color reproductions.
An exhibition traveling to five venues. Essay by William Corbett.

The Common Object, 2010, 36 pages. 31 color reproductions.
An exhibition traveling to four venues. Essay by Imogen Sara Smith.

Facets of Perception, 2006, 36 page. 31 color reproductions.
An exhibition traveling to five venues. Essay by Martica Sawin.

Tabletop Arenas, 2004, 36 pages. 31 color reproductions.
An exhibition traveling to five venues. Essay by Thomas M Disch.

Serial Thinking, 2000, 36 pages. 26 color and 52 black and white reproductions.
An exhibition traveling to four venues. Essay by Lance Esplund.

The Human Presence, 1999, 24 pages. 20 color reproductions. An exhibition
traveling to five venues. Essay by Andrew Forge.



CONVERSATIONS
23 Interviews with Still Life Artists
​​​​
​Organized and created by Zeuxis
​​
9 ¼" x 11 ½"
316 pages plus cover
Over 500 color images

$50

Interviews by Zeuxis members and Guests
Essays by Seth Schonberg, Imogen Sara Smith, and Phyllis Floyd
Designed by John Goodrich, Kayla Edmonston, and Charyl Conrad
​​​​
This book represents the culmination of a collaborative effort, conducted 2020-2023, to capture the views and achievements of more than 60 still life painters from across the United States.
​​To purchase, email The Studley Press at